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Showing posts with label Avatar. Show all posts

Saturday, April 27, 2013

What Came To My Mind As I Re-Read Again 'The Tapestry of Culture'

I read the book when I was in my Master Degree years ago. I forgot what edition I was reading, but the most recent one, its ninth edition is still a good way to start into Anthropology. Being an outsider to Anthropology, well it's not my major.....but still, I think.... reading this 'colorful book' (colorful in the sense of 'hyper-content of real cases portrayed in it) really gave me a somewhat a nostalgic kind of feeling of the old times when I was still at school learning the first stages of opening up my mind into Anthropology. 
 Okay, I’d rather say that upon reading the first 13 pages of chapter one, I was compelled to think of the movies I enjoyed. That is the way how I understood the content.  First, the role of anthropologists as mentioned in the chapter reminded me of Avatar; especially about how a botanist-anthropologist played by Sigourney Weaver weaved her way seamlessly into the life of Navi people in Pandora. Even she made a book about it. <In this case, the anthropologist has somewhat succeeded to be the ‘author’ of the society he/she investigates>. And that is what an anthropologist would have done—at least that is what I think. 
Second, when the chapter talks about the cultural rules (pg. 12) we, humans, have, but other animals do not, I could not help but to think of TLOTR (The Lord of the Ring) movie. It is said that human behavior is governed primarily by cultural rules, not by the need of immediate gratification. For instance, humans do not eat the minute they become hungry, rather they cook the food first. Animals, lions for instance, eat their prey after a successful hunt. 
This is what brought me to think of a particular scene in TLOTR. In the movie, there was a used-to-be hobbit/human(?) named Smeagol who turned into a Gollum—an animal-like creature—who liked to eat raw meat. He apparently forgot the fact that he used to cook food in his previous life as hobbit/human. When Frodo, his master, cooked the fish he gave him, he cried and yelled that he rather smashed and crushed it since it would be fresh and juicy. Well, I know that it is just a movie—a science fiction—but to some extent, it does have some traits about what separate human (Hobbit in TLOTR) and animal (creatures). In a rather ironic way, Gollum and Smeagol are the same entity (person?). <Enjoying movies and seeing the cultures portrayed in them are also ways to understand the real culture. I think it is also a good way to understand the terms or concepts that sometimes I find it hard to comprehend>.
That is what came to my mind upon reading this chapter.

Now, talking about serious stuffs, I find some notions that are worth-understanding: first, about the concept of cultural universals. Although humans posses different cultures, e.g. languages, we have fundamental similarities. Take my 4 year-old daughter for instance, she came to Korea a year ago without speaking a single Korean word, let alone sentence, she now mingles with other Korean kids being a bilingual. I wonder if this is what Chomsky meant by a theory of universal grammar which enables infants to cognitively learn the complexities of grammar (pg.13).
Now, I would like to comment on a notion about some members of society disagreeing to the analysis and the publication of information about their society as portrayed by the anthropologist (pg.2). In this case, I would like to mention a book written by a famous anthropologist, Clifford Geertz, who wrote ‘The Religion of Java’. Irrespective of the wittiness and elaborate portrayals, it is—still—considered as a bit controversial for (among) Javanese people, but surely it was and is still a mysteriously amazing book for non Javanese (other Indonesians from other ethnics, westerners, students in America, Europe, and other countries). I am a Javanese myself and happened to be a Moslem, too. So, reading this book gave me somewhat a mixed feeling. Rather than complaining about his (in)famous categorization of Javanese into three categories: santri ‘religious and devout person’,abangan ‘not so-religious(?)’, and priyayi (blue-blooded royal-like or like ‘yangban’ in Korea); I would rather say that in the 21st century, Geertz’s accounts should be seen as a classic rendition of what Javanese was all about in the 1960s or up to the late 90s.
 Most Javanese ( I say most because I am sure that some would blatantly or proudly and deliberately associate themselves with one of these) would hesitate or never consider themselves into one of those categories. Of course, I do think and acknowledge that there are abangan in Java, for sure. But I find it ridiculous at times. Even now, it is hard to find priyayis any more. Or wait, they may disguise themselves with some sort of positions so as to blur the term priyayi, oh well...who knows!!  Even, I never heard (or I’ve been oblivious) that the remaining Sultan in Jogjakarta wanted to be addressed as the priyayi. Then....?
So, upon reading this chapter, I confirm myself that culture indeed evolves and keeps changing. The Javanese people as the active agents have evolved and at the same time reworked and re-created their culture up to this 21st century. 
But then again…although I somewhat disagree to Clifford Geertz, as I read the first chapter of Tapestry of Culture, <pg.13>  I come to think of it, in this way:
 “Should the Javanese thank Clifford Geertz because he has uncovered/postulated the cultural rules that even the Javanese themselves may be unaware of?”

Thursday, May 31, 2012

Land of FolktalesThis is....


Korea like any other countries has lots of folktales of its own. So many that it would be hard to keep up with the numerous genres it offers. Yet, out of those seemingly countless folktales that it has, some famous and worth-knowing are right here being displayed through the life-size statues scattered on the land of folktales.  
I can't remember what and which ones they were. But, the one I took a picture of right here was about a naughty green frog that seemed to disobey his mother all of his life. He always did opposite of what his mother frog asked him to. Knowing the fact that his son always disobeyed her, one day the mother frog told him that should she be dead someday, she would love to be buried right at the side of the riverbank--hoping that her son would do the otherwise, i.e. burying her on the hills. 
But, as it turned out, on the day his mother died, he said that he had been disobeying his mother for all of his life that for once only he would do as his mother asked him to. 
So, instead of burying his mother on the hill, he buried his mother at the riverbank.
As the night fell and the rain fell heavily, the tomb of his mother at the riverbank was swept away...
He wept....

Eyra insisted on riding a bull. Good thing, that it was just a bronze statue.


This folktale is somewhat similar to what 'Jaka Tarub dan 7 Bidadari 'Jaka Tarub and 7 Angels' is in Indonesia. Well, to some extent it hos some similar intrinsic elements in it. As for Korea, it is known as 'the The woodcutter and heavenly maiden' 
The difference is that...finally the maiden or the angle brought along her children with her to the sky and left the woodcutter alone. While the one in Indonesia had it the other way around, the angel left the man and the baby on earth. 
Quite an interesting ending, right?

Let's see what folktale are we in now....!

wait, this is not folktale! what are these folks doing right here? I think ...they look like Avatar. Indeed, they were. I guess..this was just a gimmick to attract the curiosity of the visitors so as they trod along their steps and go into the folktales lands.

Well, we might as well take a token of remembrance right in front of the seemingly out-of-place story in the land of folktales, right? 
Or maybe they are actually at different places, it's just that I could not differentiate the fences that might separate the two colliding worlds apart?


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